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ESPERANZ'ARTS

Arts For All

Victoria Shereshevskaya

Piano

Victoria Shereshevskaya  - credit inconn

A complete artist, after higher piano studies, trained by her mother, Rena Shereshevskaya, then at the CNSMD in Lyon, as well as obtaining the highest piano state pedagogical diplomas, Victoria leads a career as a pianist (as a soloist, chamber music and with orchestra in Europe, Russia, USA, Japan) with musicians such as Henri Demarquette, Alexandra Soumm, Marco Rizzi, Kaeko Mukoyama... directed by Youri Bashmet, Christophe Poiget... During this time, the singing never leaves her and she knows deep down that it is the singing that is her true vocation. A decisive meeting with the great Russian baritone Vladimir Chernov and his wife, Professor Olga Toporkova, who immediately believed in the potential of his voice and the beauty of his timbre, confirmed his choice.  She continues to follow their teaching today.   

 In December 2018, she performed the role of Giovanna (Rigoletto) at the Teatro di Salerno in Italy under the direction of Daniel Oren, where she was invited back for the 20 19/20 season. In 2017, she sang Verdi's Requiem at the Eglise de la Madeleine (Paris) and Mozart's Coronation Mass at the Eglise Saint Sulpice (Paris). Victoria is the guest of various festivals such as "Pianofolies" at Le Touquet, "Philharmonia Riomantica", Aveyron, notably in the Stabat Mater in Pergolesi, at the Festival de "Porrentruy", Switzerland, at the Tchaikovsky House and Museum, Moscow, at the Hôtel de la Marine, Paris, Villa Abamelek, Rome.... she performs a wide repertoire of melodies and opera arias, accompanied by Alissa Zoubritski, Simon Adda-Reyss, Rena Shereshevskaya, Eric Artz, Rémi Geniet. She sang several mezzo roles in Ravel's production of "L'enfant et les Sortilèges" with UCLA Opera Company at Shoënberg Hall in Los Angeles. She will stay there for more than four months and give other recitals.    In 2015, she was invited to record a double CD dedicated to the music of the French-Russian composer Youli Galpérine, where she recorded her cycle for mezzo on poems by M. Lermontov.  

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